Schecter blackjack sls c1 fr review
Find helpful customer reviews and review ratings for Schecter Blackjack Slim Line Series C-1 FR Sustainiac 6-String Electric Guitar, Satin Black at ATTAIN.SITE Read honest and unbiased product reviews from our users/5(7). Dec 02, · The Blackjack SLS range includes a variety of models with similar specs but across different body shapes, hardware features and string counts; the single cutaway Solo-6, the eight-string superstrat-style C-8, the Tele-like PT, the Floyd Rose-loaded V-1 FR V they’re all unmistakably Schecter but they each offer something slightly different to each other. It's armed with the Seymour Duncan JB (SH-4) and '59 (SH-1n) pickup combination, which can be 'tapped' via a push/pull tone control or a 5-way Mega Switch.
Schecter Blackjack SLS C-1 FR Review
Custom Features:. The body end of the neck is formed from a pair of swamp ash wings, an unusual choice for a guitar like this. Neck Shape Ultra Thin feature-neckShape This article was written by Zac Buras, our editor located in Louisiana. Only the passive option gets the push-pull volume knobs.
Schecter C-1 FR S SLS Elite review
Once upon a time, there were three golden rules for builders of shred guitars. One: the whole guitar shalt not exceed the weight of a newborn Daddy Long Legs. Two: when it comes to the neck, anything thicker than a splinter shall be considered excessive. Three: thou must equip said beast with overwound humbuckers that would challenge the magnetic field of an exploded supernova. In truth, though, modern rock, metal or shred guitars - however you like to pigeonhole them - are much more complex and diverse than their first-run ancestors.
Got it? The C-1 has a neck-through body construction. The mm The body end of the neck is formed from a pair of swamp ash wings, an unusual choice for a guitar like this. We expected the more typical basswood. The blackness intensifies as your eyeballs drift from the cutaways towards the base of the body. Like an EBow, this thing offers infinite sustain, at least until the nine-volt battery goes down.
Of course, an EBow only works on one string at a time. Schecter has paired the Sustainiac with an active Fishman Fluence Modern humbucker. Battery life on the Fluence Modern is quoted as up to hours. So, you should be good for 4, three-minute classics, or almost two entire prog rock albums. Long story short, it delivers a super-low action and effortless string bending.
Sculpting around the cutaways and neck heels also ensures that upper fret access is easy as pie. There are two switches you need to know about. The first toggle simply turns the Sustainiac circuitry on and off. The second switch offers three modes: Fundamental, Mix and Harmonic. Harmonic generates a feedback-style high-pitch note. The aptly-named Mix is a mash-up of both. Now, consider how cool it would be to sustain that last note then flick the mode switch to Harmonic.
Schecter has come a really long way throughout the years. In recent times, they have managed to surprise us over and over. In terms of features, the Blackjack SLS offers a little bit of everything.
The highlight of this guitar is how comfortable it is to play! Coming in at around 7lbs, this guitar is quite light for being made of mahogany. Also thanks to the compound radius, the lower-end has a bit more chunkiness to the neck so you can really dig into some rhythm playing. I do wish it was a bit brighter so I could see more of the flame.
Similar to the Damien Platinum that we reviewed a while back , the Blackjack SLS comes with a mahogany body, maple neck, and maple top. These tried-and-true tonewoods deliver a balanced, warm sound with a low-mid focus. Before even plugging it in, I enjoyed the loud, deep sounds I could get out of it.
The mahogany body is also great to use when routing for a Floyd Rose. The heavy wood allows you to take big chunks out without sacrificing tone. We have a sweet guide to different tonewoods available if you want to read more. The Seymour Duncan Full Shred was expertly chosen for this guitar. Now I see why they call it Full Shred. In all seriousness though, the pickup was definitely built for the modern shredder in mind.
The harmonics are full and make for great dive bombs. The pickup attack is very quick and powerful as well. Regarding rhythm playing, I found that it performed power chord filled and heavy riffing styles very well. Due to the Full Shred being a really aggressive, mid-focused pickup, the Jazz was a perfect choice for when you need to tone it down a bit and get some smoother sounds out of the guitar. The Jazz performs well for bluesy crunch tones, as well as some fat clean tones.
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